When I first purchased this beautiful chenille tweed, I imagined it becoming a classic blazer. But as I began working with the fabric, it became clear that it had its own ideas. The weave was soft, loose, and somewhat fragile, so each piece required careful preparation. Every section was fused with an underlining for stability, and all edges were finished by overlocking before construction could begin.

Even with these extra steps, I loved handling the fabric. The tweed is full of life, with a wonderful variety of texture and color. Turquoise, soft blue, navy, and warm golden threads are woven together in a richly textured bouclé. Occasionally the light catches the golden threads, and the fabric seems to glow.
Because of the character of the fabric, the final design became slightly boxier than a traditional blazer. The silhouette is softly structured with princess seams that shape the body while maintaining a relaxed, comfortable feel.

The collar is a distinctive feature—sitting high in the back and rolling gently forward into exaggerated lapels that frame the neckline beautifully. Three classic buttons close the front with button loops, and faux leather loops add an unexpected touch of character. ​

​In an effort to refine my basic blazer jacket, Nelly, I decided to create a sample using an organic cotton twill. I was surprised to discover that the fabric was nearly as expensive as the 100% linen I’ve used for jackets in the past. Still, I was excited to experiment with a different fabrication, thinking it might give the blazer a slightly more casual feel.
As always, I prewash fabric unless it requires dry cleaning. Washing helps me understand how a fabric will behave in real life. When I pulled the pink twill from the dryer, I felt a bit apprehensive—and that feeling only grew as I began working with it.

I found the fabric difficult to get on grain, which is crucial for how a garment hangs and wears. Throughout construction, the twill felt boardy and unwieldy. It required more effort but delivered less-than-desirable results. When I finally tried on the jacket, it felt stiff and uncomfortable.​

​The lining, on the other hand, was cheerful, bright, and charming—easily the best part of the blazer.

I’m always learning and willing to try new things, even when they don’t turn out as planned. In this case, I was especially grateful that this blazer was a sample and not a piece made for a client. Every experiment adds to my understanding, and each lesson helps me create better garments moving forward.
And despite its challenges, the pink version of Nelly has found a place in my wardrobe. It adds a lively pop of color and pairs beautifully with a dress—or with jeans and a crisp white shirt.

Making a jacket from linen is especially satisfying because it can be gently molded to the shape needed, creating structure without stiffness. ​

Recent version

He loves bold color, isn’t shy about standout trim, and appreciates the details that make a shirt feel special. 

​Even the technical details have been a journey. Finding the right interfacings, the right snaps, and the right balance of structure and comfort took time and experimentation. But each adjustment improved the shirts, and each finished piece became a little more him.

​No one appreciates the clothing I make quite like this brother does. He wears these shirts with pride, notices every detail, and truly values the care that goes into each one.
​And while menswear isn’t my passion—and likely never will be—his appreciation makes all the difference.

​First of all—I love dresses.
There’s something so effortlessly feminine and powerful about wearing a dress that fits just right.

A well-made dress makes a beautiful statement all on its own. It highlights your shape, reflects your personality, and gives you that extra boost of confidence.



​In my opinion, a great dress shouldn’t be hidden under layers like a bulky jacket or sweater—it deserves to be seen and celebrated!

​That’s why I spend most of my time designing and making dresses for women. Every dress I create is thoughtfully made to highlight each woman’s unique expression of beauty. Care is given to fabrication, style and especially fit.

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​A tailored blazer or  jacket can add structure, style, and even a little flair to your outfit.
​(Cotton twill version of Casey)

​ The world may try to convince you that your beauty isn’t seen or valued, but don’t believe that for a second. Your beauty and your feminine nature are divine gifts. They were never meant to be hidden—they were meant to shine.
Whether your beauty is quiet or bold, subtle or striking, it is needed. The world needs your expression, just as it is. You might need a little encouragement to step into that fully—and that’s okay. That’s where the right clothes can make all the difference.
You don’t need a closet full of trends to feel good. You just need the right pieces—the ones that light you up and help you feel more like yourself. Fast fashion pushes the idea that more is better, that the next purchase might finally make you feel whole. But the truth is, your power is already within you. No amount of “more” will replace the joy of dressing in alignment with who you truly are.
Real beauty takes courage. Show up boldly. Wear what you love. Let your light shine.
 
I have had the privilege of making clothes for beautiful women just like you! 

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​​ I knew early on that something wasn't right, but I thought maybe it would look better after I got the sleeves in. Then, I thought maybe it would look better once the lining was in.
I finished it. The lining looked great, the covered buttons were wonderful, the princess line was perfect, and the double welt pockets were well done. The pick stitching on the collar and lapel looked great. But the jacket itself didn’t look good.

She said she wanted an asymmetrical jacket, and I think I nailed it! She wasn’t sure about linen at first, but I convinced her to go with this medium-weight, 100% linen from Fabric-Stores. My customer was worried about wrinkling, but I believe a few wrinkles are a small price to pay for the luxury of linen. Plus, the lining will help minimize them.
The linen was perfect for all the tucks and flaps. And the best part? You can’t see the buttons or buttonholes—I hid them!

The jacket is darted in both the front and back for a flattering shape. The asymmetrical flaps in the front are echoed in the sleeves, creating a cohesive design. I especially love how the flaps form a perfect ‘V’ in the back—it really accentuates the owner’s cute figure.

Of course, there has to be pockets!

I was thrilled when I found this beautiful lining—it adds a special touch to the jacket and absolutely delighted my customer.

Now if I could just get a picture of my customer wearing the jacket.